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About

My work sits between creative strategy, filmmaking, and social practice.
I work across commercial, cultural, and collaborative projects, often where communication, identity, and systems overlap.

This page outlines my background, experience, and current practice.

Sometimes this takes the form of film or digital work.
Other times it’s strategy, live environments, or long-term collaborations.
The medium changes, but the intention stays the same: to bring ideas into the world with clarity, meaning, and integrity.

Below is a summary of my background, experience, and current practice.

Timeline

2024 - present // Freelance // Creative Strategist & Filmmaker

2023 - present // Spatula // Founder

2022 - 2023 // Xylotek // Marketing Manager

2020 - 2022 // Newicon // Creative Strategist

2020 - 2021 // Bristol Pride // Designer

2018 - 2019 // LVL Group // Events & Comms

Current Practice

My practice moves between strategy, production, and research.

Some projects are commercial, helping organisations communicate clearly, define their direction, or bring ideas to life through film and design.

Some are collaborative, working with artists, performers, or communities to create environments, events, or shared work.

Some are personal, long-term research projects exploring communication, identity, belonging, and how people make meaning together.

Across all of them, the aim is the same:
to make work that feels honest, thoughtful, and grounded in real experience.

Studio

For larger projects, I work through my studio, Spatula.

Spatula is a small, flexible network of collaborators across film, design, technology, and production.


It allows projects to scale while keeping the process personal and intentional.

The studio exists to support work that needs more than one discipline, bringing together different skills while staying focused on clarity, care, and integrity.

Personal Practice

Alongside commissioned work, I maintain an ongoing personal practice.

This includes independent films, writing, research, and collaborative projects that explore communication, culture, and human experience.

These projects often develop slowly, outside of commercial timelines, and inform how I approach all other work.

 

For me, this research isn’t separate from professional practice, it keeps the work grounded, curious, and alive.

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I’m always open to conversations, collaborations, and new ideas.

Visual

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